By AJ Jaffari

Wow. I can’t say I’ve ever experienced anything quite like this before. Watching Titanic—a film already so grand and emotional—paired with James Horner’s iconic score performed live by a full orchestra, vocalist, and women’s choir? It was more memorable and captivating than I ever could have imagined.

This was actually my very first visit to the SF Symphony and Davies Symphony Hall. And let me tell you—what a gem we have right here in the Bay Area. Up until now, I had only been to one other symphony performance—Symphony San Jose’s Spooktacular with Sarah. But after this? I can confidently say this is how everyone—film fans and music lovers alike—should experience a cinematic epic like Titanic.

To keep it in the spirit of our podcast rating system, this was an easy 5-star experience for me. From the stunning venue and kind staff to the overall ambiance and top-tier program, I genuinely adored every moment. I gave myself plenty of time to drive up from the South Bay, parked easily in a nearby garage on Market Street, and walked into a hall that was impressively well-maintained. The venue even features a full bar with non-alcoholic options, plus a cozy little spot for sandwiches, cheese boards, and desserts—perfect for a pre-show bite.

As soon as the program began, I knew I was in for something special. I had honestly forgotten just how iconic Titanic is as a film, and hearing its breathtaking score unfold in real time was almost overwhelming. Vocalist Alice Zawadzki and the San Francisco Girls Chorus added such depth and emotion—it was pure magic. I originally assumed the choir parts might have been edited out or scaled back for the live performance, so imagine my surprise (and awe) when the screen lifted at the end to reveal the powerhouse women’s choir onstage. Their voices were breathtaking.

Zawadzki’s performance of the recurring “My Heart Will Go On” motif was so moving, it reminded me just how deeply I adore that melody. And can we talk about conductor Sarah Hicks? What a vibrant and charming presence. Seeing a female conductor lead such a powerful program felt inspiring in itself. Her warm introduction welcomed movie lovers, orchestra newbies (hi, me!), and classical music aficionados alike.

What more can I say? Even as I write this, I’m still smiling from the beautiful afternoon I spent at SF Symphony. I truly hope they continue this film series—not just for fans of cinema or symphonies, but for anyone craving an escape, a moment of beauty, or a reason to be dazzled for a few hours. We all need that, especially in times like these.

Support the arts. Support this company. And if you get the chance—don’t walk, run to the next live film event at the SF Symphony. I know I’ll be back.