By AJ Jaffari

What happens when workplace romance collides with a labor strike? That’s the zippy dilemma at the center of The Pajama Game, the 1954 musical comedy that blends union politics with golden-age charm. Based on the novel 7½ Cents by Richard Bissell, the show centers on the Sleep-Tite Pajama Factory, where tensions are rising over a long-promised wage increase. Enter Babe Williams, a savvy union leader with no patience for nonsense—and Sid Sorokin, the new factory superintendent whose loyalties are about to be tested by love.

Coastal Rep’s new production taps into the show’s screwball spirit while highlighting the push-pull between personal desire and collective action. With catchy tunes like “There Once Was a Man” “Steam Heat,” and “Hernando’s Hideaway,” the musical revels in its fizzy energy, even as it asks: how do you keep the spark alive when you’re on opposite sides of the negotiating table?

Maddie Rea leads the charge as Babe Williams with power, conviction, and just the right amount of spice. I absolutely adored her performance—distinct and compelling in its own right, separate from my long-standing admiration for the iconic Doris Day. Having previously only seen Rea in straight plays, I was blown away by her vocals: dynamic, powerful, and unexpectedly sweet.

Other standout performances include Danny Martin as Sid Sorokin and Deborah Joves as Mabel. Martin brings gravitas to Sid’s moral conflict, culminating in a powerful exchange with the factory head that gives the show a jolt of social urgency. Joves, meanwhile, is at her comedic best—her Mabel is all quick wit and infectious charm, leaving the audience grinning every time she’s onstage.

With a fairly large cast, several ensemble members also deserve special mention. Sawyer Kelly’s dancing was a constant highlight—I found my eyes drifting to her again and again during the big numbers. And my favorite onstage duo? Terry and Barbara Weissman, who brought such joy and chemistry to their scenes, it was a delight to watch them share the stage.

The 1950s is such a delightful era to costume, and Coastal Rep absolutely nails it thanks to a fantastic costume team—led by Judy Larson and supported by Sue Joswiak, Debbie Padilla, Michele Parry, and Lene Whitley-Putz. The color palette was vibrant and era-appropriate, with several of Babe’s costumes standing out as particular favorites of mine.

Another area where Coastal Rep consistently shines is in its set design and inventive use of space. Doug McCurdy’s scenic design was no exception—clever, charming, and wonderfully functional. The live orchestra, under the direction of Matt Mattei, brought the score to life with punch and polish, echoing the bright, brassy energy of early golden-age musicals. I caught myself tapping my feet all evening long.

Every visit to Coastal Rep feels like coming home. There’s a warmth, a sense of community, and a deep love for theater that radiates from every production. The Pajama Game is yet another example of that magic. Bravo to the entire team—this show is something to be proud of.

The Pajama Game runs through August 17 and tickets are available here.